HELPING HASHTAGS – Proposal for Cleveland Public Art Pavilion

Scroll down to read HELPING HASHTAGS Statement

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HELPING HASHTAGS is an architectural pavilion that merges art, social media and social issues into an iconic transformative place of hope and optimism for the future of a better Cleveland for all of its citizens. As an art object unto itself, the hash symbol with its use in hash-tagging represents our modern times, where data is turned into meta-data; where information is categorized and made searchable; where so many find their voices amongst the billions of souls vying to be seen and heard to share joys, beauty, injustices, sadness…and so much more, elevating our humanity. People can engage with it on multiple levels, many personal as social media is weaved into our lives just as the wood members weave together to form this symbol in the zeitgeist. But it also presents questions. How is social media impacting the issues of our times? Institutions, advocacy groups, non-profits and individuals use social media to help answer and address these issues by bringing awareness to their mission, raise funds and showcase the work they do.

A series of interlaced mass-timber glulam members forming hash signs on its 4 sides and on the top, sit on 4 concrete plinths with spaces between them to allow people to walk into the structure. The concrete plinths are bench height so people can sit on them. For HELPING HASHTAGS structure, I choose to use the material mass-timber to bring attention to sustainability in going forward in the building our city and infrastructure. Large public art sculptures have traditionally been dominated by being fabricated in steel. Using mass-timber is a departure, emphasizing an environmental component that speaks to sustainability to combat climate change. Mass-timber is being used as structural systems to support modern buildings, including in our city, in response to the ever growing need to build sustainably and for buildings to achieve LEED certification.

The morphology of the design of HELPING HASHTAGS starts with the Euclidean platonic solid the Rhombohedron. Because a rhombohedron’s six faces are rhombuses, they are not square and when placed with one side horizontal, the vertical sides lean at an angle. I used this platonic solid because a distinguishing and dynamic characteristic of the hash sign is that its vertical bars are slanted. The members of the structure are inscribed within this geometric solid giving it its dynamic lean of 7 degrees. If you can picture in your mind the lines of the perimeter edges extended to meet each other, you may visualize this rhombohedron.

The openings between the concrete plinths occur between the mass-timber vertical bars of the hash signs inviting visitors to enter the pavilion. Once inside, on these mass-timber members are aluminum plaques that have etched into them, hashtags that relate to a host of issues that society and our city face; environmental sustainability, food insecurity, violence prevention, matters of diversity, equity and inclusion, black maternal-fetal health, food deserts, redlined communities, disability and physical and mental health and more. These hashtags will not be determined by me but by the citizens of Cleveland. An initiative will be brought to the public to request hashtags that relate to these issues and the issues they face personally that they would like to have etched into the marker. For example, a pregnant mother might apply to the request with #HealthyBaby. An environmentally minded citizen might request #SustainableFuture. An African American citizen in a food desert with diabetes might request #InvestInNutrition and placed next to another person’s #EradicateDiabetes. A LGBTQ individual might request #LoveIsLove. There will be space for approximately 400 of these hashtags. These hashtags will be of a certain size. But in addition to these hashtags, highlighted on larger plaques in noticeably larger font, will be those of institutions/non-profits that advocate to address the hashtags penned by Cleveland residents. These institutions will be asked what hashtag represents them. There will be space for approximately 40 of these. HELPING HASTAGS will be a place to bring awareness to these often unsung entities and to bring to the forefront the forces that bring us together in the theater of social media against those darker forces using social media to divide us.

HELPING HASHTAGS will become a fixture of the neighborhood and its iconic presence will become known citywide inviting visitors to enter and experience it. It will sit on a plaza, inviting large groups to assemble next to it. It will be a backdrop to cultural events; dance, music and theater. A covered electrical outlet will be placed in the floor inside the pavilion and outlets placed on each side outside the pavilion for projectors to be connected. Projection mapping is a projection technique used to turn objects into display surfaces for video projection. Artists working in this medium will be invited to create immersive experiences on the interior and exterior of the pavilion.

HELPING HASHTAGS is about advocacy, hope, determination and good will. The City of Cleveland is a great city and like all cities, it has ills that persist. HELPING HASHTAGS is a beacon to action; to fix; to heal; to unite.

ESCAPE HASH – 3D Printed Sculpture – Tactile Touchable Art

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3d printed interconnected blocks
Material: PLA
Dimensions:
Hash Sign 16″h x 17.25″w x 4″d
Base 2.5″h x 13.25w” x 8″d

W/O Limits Exhibition
Beginning the assembly.
The final step of the assembly.
screenshot in blender
Blocks printed in Ultimaker 2+ 3d printers
The excess material on the blocks is support material which was removed. In 3d printing, parts that overhang need this temporary support material. 

My 3d printed tactile artwork ESCAPE HASH is being shown at W/O Limits: Art, Chronic Illness, & Disability at the Artists Archives of the Western Reserve https://www.artistsarchives.org/event/w-o-limits/
I’m glad to contribute a touchable artwork for the exhibition, as it is one of many other accessibility and adaptive measures to be most inclusive of the disabled art viewing public.

I would approach the design, with an architectural/engineering methodology. The 3d printed sculpture is made from 74 individually printed interconnected blocks. The blocks are modular, designed to fit together in multiple ways. With a master block that all the blocks are derived from, its shape is a rhombohedron. https://en.wikipedia.org/wiki/Rhombohedron

Strategies I employed to make it accessible to the visually impaired are 3 things; contrast, pattern and relief to make it tactile to the touch. The blocks alternate between hash symbols in negative relief and positive relief form. Primary colors and black and white provide bold contrast between the parts, making them more visible. The deep cuts into each block project shadows making it both tactile and with a sharply delineated pattern also making it more visible.

The blocks were printed at Think[box] at Case Western Reserve University. Each block took 11 hours to print at high resolution. Director of Prototyping, Ainsley Buckner ran 6 printers simultaneously for over two weeks. Thank you Ainsley!

Hidden between where the blocks connect to each other is a wooden dowel that fit into holes in the blocks. They are alignment pins, assuring that the blocks fit precisely together and align properly. To adhere them, I used 3m VHB Tape, a super strong, super thin double sided tape.

New Artworks – #LOVE I & #LOVE II – uv cured inkjet on cnc cut aryclic

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#LOVE I, 2021
uv cured inkjet on cnc cut acrylic mounted to composite aluminum
19.75″h x 96″w, edition of 3

#LOVE II, 2021
uv cured inkjet on cnc cut acrylic mounted to composite aluminum
19.75″h x 96″w, edition of 3
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I usually don’t talk about my medical condition but my art and these newest works are connected to what I go through with my health. It’s uncomfortable to talk about publicly as what I most don’t want by doing so is pity, but only to help make transparent where my art comes from. So here I go.

Because my spine is fused from the beginning of my cervical disks all the way down to my first lumbar disc, what’s left, my lumbar and sacrum is not happy. With so much fusion, there are great stresses on my lumbar region causing herniations. The stresses on my sacrum cause my pelvis to slip out of alignment. In addition at L4-L5 there is severe stenosis which is a narrowing of the space in the discs that impinge on the spinal cord and the nerve roots exiting each vertebrae. Nerve block injections have given me only some pain relief. My mobility isn’t good. Walking is painful. Standing for extended time is difficult. Sitting for extended time is difficult. There are other complications; Nerve pain in my extremities, Occipital Neuralgia and more… OK, I got that out of the way.

What does that have to do with my art and in particular, these pieces?

I struggle with depression. I’ve had to lie in bed for extended periods of time. I’ll watch TV; the news, Netflix and Amazon streaming, listen to music and listen to audio books, currently “A Gentleman in Moscow” that I highly recommend.  But sometimes I find concentrating on these things difficult. Every day I take a nap in the middle of the day. I don’t always sleep during naps, often going in a daydream state and imagine and formulate art in my head. The last work I completed was Hash ONE, a large hash symbol constructed by putting together 28 hash symbols. During some of these naps, it came to me that I could put these hash symbols inscribed within trapezoids together in a grid and with this grid, spell out words. Furthermore, I could make a hashtag. But what hashtag? I thought about what I’m grateful for, among other things that I have the love of my husband for 40 years. There it was; #LOVE.

During this holiday season, with the crazy time in history that we find ourselves in, with so many who have died, and so many struggling, with so much division, racism, homophobia, with our democracy in peril….I hope that this simple hashtag may speak to you for the love that you have in your lives as an uplifting message. As John Lennon and Paul McCartney wrote, “All You Need is Love”

New Artwork – HASH MASH II – uv cured inkjet on cnc cut acrylic

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HASH MASH II, 2021
uv cured inkjet on cnc cut acrylic mounted to composite aluminum
50.25″w x 48″h, edition of 3

I put a little twist of the hash symbol in this piece. Normally in the hash symbol, the horizontals are straight across and the verticals are slightly angled but here I made the horizontals slightly angled and the verticals straight up and down. This gives the composition a energy and movement.

For nerds out there like me who may be interested in the history of the hash symbol (also known as Pound and Number symbol), I refer you to this article in the New Statesmen #History: the journey and many faces of the hash symbol. But the article doesn’t go into its modern history.

The asterisk or star (*) and pound or hash (#) key was added in 1968 to the push button phone keypad invented by Bell Technology engineers drawing it from the ASCII character set. When Bell labs were designing push button phones, they added these symbols to allow for access to telephone based computer systems, exactly how they’re used today. In 2007 it was Chris Messina, an open source technology evangelist who first suggested using the hash symbol on twitter to assign metadata to group and categorize discussion feeds. And the reason he chose this symbol: because before the iphone and android phones came out and texting was done on a qwerty keypad you had to use the phone keypad and it was easy to get to on his nokia phone.

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